Pitchfork
The Latest
8 Albums Out This Week You Should Listen to Now
By Madison Bloom, Nina Corcoran, and Jazz Monroe
Music’s TikTokalypse
By Kieran Press-Reynolds
澳洲幸运5开奖官网开奖168结果号码和历史直播 MacLachlan Shares Tribute to David Lynch
By Matthew Strauss
DJ Koze Details New Album, Shares Video for New Song
By Jazz Monroe
澳洲彩票5分钟一期 Reviews
Weft
Blue Lake
The Copenhagen-via-Dallas composer expands his instrumental palette for a radiantly tranquil album that blends drone, folk, and ambient.
By Walden Green
Tune In, Turn On, Drop Out – Radio Sessions 1980-1993
Television Personalities
A collection of stripped-down studio broadcasts from the idiosyncratic but influential post-punks captures them in all their unpredictable glory.
By Ben Cardew
HEAL
Pavel Milyakov / Lucas Dupuy
The ambient musician Buttechno and the abstract artist Dupuy collaborate for a record whose vaporous synths and puffs of white noise summon vintage environmental records and ’90s chillout rooms.
By Philip Sherburne
Hosianna Mantra
Popol Vuh
Each Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit a 1972 meditation on faith and uncertainty by a pioneering electronic band that stepped away from its synthesizer to make it.
By Grayson Haver Currin
Teenager of the Year (30th Anniversary Edition)
Frank Black
The Pixies frontman’s 1994 solo LP is a relic of an era when the music industry was flush with cash, affording even the most idiosyncratic artists the freedom to indulge their most outrageous whims.
By Stephen Thomas Erlewine
DeBÍ TiRAR MáS FOToS
Bad BunnyBest New AlbumBad Bunny synthesizes the past and present sound of Puerto Rico for an anthemic, cross-generational album. He’s a master at work to enact his vision for the future of música urbana.SOS Deluxe: Lana
SZABest New AlbumFifteen diaphanous new tracks balance the ambling indie R&B of CTRL and the forthright hooks of SOS. Put these songs in their own playlist and you can proudly call Lana the third SZA album.Heavy Metal
Cameron WinterBest New AlbumA world away from his band’s ecstatic classic rock, the Geese frontman’s solo debut frames his woozy baritone with a careful juxtaposition of casual virtuosity and soul-scouring catharsis.The Undisputed Truth
Drakeo the RulerWith his sheer technical wizardry on display, the L.A. rapper’s posthumous album is a culmination of what should have been a generational talent’s early-middle period.Bird’s Eye
Ravyn LenaeThe singer collaborates with Dahi for a genre-blending album that experiments within and beyond R&B—always guided by her expansive, cotton-candy soft soprano.Nobody Loves You More
Kim DealNearly four decades after becoming an indie fixture, the ex-Pixies bassist and Breeders co-founder finally releases her solo debut, revealing sides of herself we’ve never seen before.
澳大利亚十幸运10-结果号码最新-澳洲时时彩结果五分彩官网168 Pitchfork
Perfume Genius Returns With the Rapturous “It’s a Mirror”
Perfume Genius
Best New Track
By Walden Green
Features
Imperial Bedroom
Elvis Costello / The AttractionsEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit the intricate pop of Elvis Costello’s seventh album, a lush, baroque, bitterly clever highlight in his catalog.Wish You Were Here
Pink FloydEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit a timeless classic rock album from 1975, a mournful, emotionally charged mood piece that grounded a historically cosmic band.Use Your Illusion I / Use Your Illusion II
Guns N’ RosesEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit Guns N’ Roses’ twin 1991 LPs, an indulgent and maximal dispatch from the definitive rock band at its cultural apex.Africa Must Be Free by 1983
Hugh MundellEach Sunday, Pitchfork takes an in-depth look at a significant album from the past, and any record not in our archives is eligible. Today we revisit the impressive 1978 debut of a teenage star, a radical piece of roots reggae defined by its innocence and the tragedy that followed.